Monday, April 22, 2013

Facing up Facebook: Promotional Hurdles

If you have Facebook author/musician/artist page, you probably know that Facebook has gone to great lengths to limit the range of your posts. This is especially the case when you include or share any links, both inside Facebook and outside.

Example: On my author page I like to share various posts and spotlight other authors and artists. A share of a writers poem received 44 views. A share of an editor's services netted 33 views. A spotlight link of another author received a meager 19 views. On the upside, a share of a story on Wattpad netted 50 views.

Compare that to posts where I shared text only -status updates, in other words. 117 views. 110 views. And one about seeing the Oblivion movie that netted 168 views. (Pay me, Tom Cruise)

It's quite obvious that Facebook doesn't want us to share links. That stinks of advertising, which in their eyes means that every shared link represents potential advertising profit going down the drain. That's why they've rolled out the 'promote your links' option that I've been ignoring. Want more views? Then pay for it like you're a major advertiser. Because Facebook needs the money, right?

Despite how evil that is, it only makes sense. You can look for similar actions being taken across popular social networks everywhere in the near future. Why let people advertise their work for free using your network as the medium? I don't think they care so much about small fries like me, but there's probably some major money being saved by larger businesses who have been using Facebook, Twitter, and the like as their major source of advertising. And like everything else, the little guy suffers along with everyone else. Frankly, I'm surprised it took Facebook this long to wise up.

In light of this, I tried a viral marketing experiment a few days ago. Since you can get the most views on text posts and uploaded pictures, I uploaded a picture... advertisement.


I created a simple ad for my novel series, and posted it on my author page with this simple text statement: An experiment in viral marketing. You can help by taking three simple steps. 1: Like this post. 2: Share this on your page. 3: Leave a link to your own author/artist/musician page in the comments. If successful, I'll do this again next week featuring one of you. Thank you!

I created the post on Friday. Today (Monday) I checked the numbers. The post was shared 14 times, liked 40 times... and seen by a whopping 414 people. 

Understand that I'm a small time operator who just reached 500 likes. I'm not a math wiz, either -so you'll have to do the appropriate calculation for your own page and audience. But the point is that a simple shared ad increased my average likes by 300 percent or greater depending on which numbers you run it by. And obviously there were more likes than shares, which shows that not everyone participated all the way, which is the way these things go. 

So is this the answer to overcome Facebook's advertising hurdle? Probably not. Unlike a direct link, someone would have to actually note the website location and type it in in order to go the the page that I advertised. In this age that's more work than a lot of people are willing to go through. But it does show that there are ways to find a loophole in the barriers that Facebook has tried to slam into place. I plan on using this option periodically to highlight authors and others that I find of interest and interact with, as well as the occasional ad for myself as well. 

Like all things, take this with a grain of salt. Your own experiences may produce different results. But hopefully it demonstrates a way to help you get across to your fans, customers and followers in a more productive way.


Thursday, March 7, 2013

Presenting the Dieselpunk ePulp Showcase

I'm proud and excited to be a part of an ensemble project putting a spotlight on dieselpunk culture and adding to the the mythos of neo-noir and retro-futurism. It's called the Dieselpunk ePulp Showcase. Four writers. Four stories. For free... pretty much everywhere.
 
Free ebook from Dieselpunks

 
Here is the official press release from Dieselpunks:
 
Do you need more gritty, hard-boiled noir in your life? Do you feel the urge to drag on your beaten coat, tip your fedora to just the right angle, and slum it in a smoky speakeasy? Do the grimy streets of another age call to you from deep within your blood? If so, then do I have the book for you.

Featuring works by Grant Gardiner, John Picha, Bard Constantine, and Jack Philpott, the writers of Dieselpunks.org would like to present the very first Dieselpunk ePulp Showcase.

These four tales embody the spirit of another age and are absolutely free to download.

Dieselpunk book coverFor young hoods, the Aether Age streets of mob-plagued Chicago present a world of opportunity. And Mack and Mickey are headed straight for the top in "That Sort of World: a Tale of the Aether Age" by Grant Gardiner.
 
It's class-warfare in Citadel City as Pandora Driver and her Car of Tomorrow deliver rough justice to the elites and a douche named the Gooch in "Who are the People in your Neighborhood?" by John Picha.
 
"The Wise Man Says" by Bard Constantine introduces Mick Trubble: a hard drinking, chain smoking charmer who bites off more than he can chew... then chews like hell. The Troubleshooter takes the grit and slang of a hardboiled detective and drops it in a dystopian setting that mixes Fedoras, trench coats, flying cars and android policemen.
 
Our last tale is set in the World of Mañana by Jack Philpott…
The dirty streets of Roanoketown were his home and his only family, until he met HER. Now he'll follow HER into hell, tamahaak held high, and fight as a proud Indian against the Anglo Oppressors. He'll wager his life to be a true "Friend of the Spirits."

Download them here for free, or pick them up at your favorite online bookstore


Dieselpunks
 

Why would we give this away for free?

#1 - Because we’re good people. Really. If you like these free dieselpunk stories and want to buy us a drink, we wouldn’t turn it down. In fact, if you like the stories, the best thing you can do for us is write a review at your favorite online bookstore and share the book with your friends. Good reviews bolster our authors’ online reputation and help them with future book releases.
 
#2 - We’re building interest in dieselpunk fiction and paving the road for other dieselpunk writers.
 
#3 - By giving away freebies like The Dieselpunk ePulp Showcase (volume 1), we’re attracting people to Dieselpunks and growing our online community. Dieselpunks is the world’s largest and most active news site and social network for dieselpunk artists, and it’s projects like these that show how much we care about our fans.

Do you want more?

Meet our authors and check out their other works:

Jack Philpott is a born writer and artist who somehow ended up as an Electrical Engineer. Whether he's enjoying chilled Vermouth on the streets of Geneva, being catapult-launched off of a perfectly good aircraft carrier, or digging in the sandbox with his son, Jack tries to appreciate the sublime nature of the moment.
Jack's previous works include several articles for Palladium Books'® Rifter™ periodical plus the perpetually-upcoming Rifts® Delta Blues trilogy (with Josh Sinsapaugh), several fan award winning "timelines" for Alternatehistory.com (as Geekhis Khan), and regular contributions to Dieselpunks.org (as Cap'n Tony). Jack co-created the World of Mañana with Norman James in 2010. See more exciting adventures from the World of Mañana in the upcoming Twit Publishing Dieselpunk Anthology ("Cocktails on the Street of Bones") with even more stories to come... mañana.
# # # # #
John Picha was born on St. Patrick's Day 1968 in Joliet, Illinois. He was raised in Frankfort, a suburb of Chicago, but his mind always seemed to be elsewhere. The little Midwesterner was captivated by comic books, cartoons and animation, mythology and all things imagined. He made the world around him more exciting by pretending. A bicycle was a spacecraft, a bush became a dinosaur, and, of course, there was always a bath towel hidden away for a quick change into a super hero. You can find John’s full bio on his website: www.takejohn.com
It was the 1930s. Young Betty McDougal discovered how hard life could be when her family was evicted from their farm and forced to live in a Citadel City shelter. They struggled to survive. It was a time of desperation, sin, mistakes and lessons Betty didn't want to learn. Her life felt pointless until a mysterious stranger delivered her an ominous black car. It transformed her.
Pandora Driver summons the spirits of pulps past and adds dieselpunk hardware in a retro-hero tale for mature readers. It ain't Shakespeare. It's pure Pulp! There are more Pandora Driver stories headed your way, so keep an eye on www.pandoradriver.com for updates on her future adventures.
In addition to Pandora Driver, be on the lookout for more of John’s ePulp titles coming in 2013: Skyracos, Rurik, and Dead Reckoner.
# # # # #
Bard Constantine was born in Chicago, raised in Southern California, and currently resides in Birmingham, Alabama. But where he really resides is in the worlds he creates in his writing. A writer of gritty futures and far-flung fantasy, he decided to concentrate on publishing when he approached the age of thirty. Although he writes in several genres, his hallmark character is Mick Trubble: the rugged, wisecracking protagonist of The Troubleshooter novels.
The Troubleshooter is the flagship title of Bard’s expanding Havenworld universe, in which humanity dwells in city-sized constructs called Havens to survive a terrifying Cataclysm that nearly wiped out life on earth. Further exploration of other Havens in this world will be coming soon.
Follow Bard Constantine’s adventures in his works: The Troubleshooter: New Haven Blues, The Troubleshooter: Red-Eyed Killer, and The Aberration. More info on Bard Constantine’s current projects and titles can be found at his official website: http://bardconstantine.com, and the official Troubleshooter website: http://micktrubble.com. He can be followed at Facebook (https://www.facebook.com/bardofdarkness) and Twitter (https://twitter.com/BardConstantine).
# # # # #
The Dieselpunk ePulp Showcase is Grant Gardiner’s first foray into the world of ePublishing but it won’t be his last. He is currently working on an upcoming pulp alternate-universe adventure series, The Tales of Tommy Thunder, Scourge of the Skypirates, as well as several more dieselpunk short stories for his collection series The Tales of the Aether Age.
For more details about Grant’s projects, please visit: http://www.tommythunder.blogspot.com

Monday, March 4, 2013

The Bard Reviews: Automaton by Cheryl Davies


The Future Is Artificial


Take One: Cheryl Davies’ sci fi novel Automation takes social media, reality TV and online gaming to a whole new level –with deadly results.

Take Two: In the near future, our love of gaming and reality TV combines. Gameworld is the result: a Truman Show/The Sims-inspired digital world so realistically portrayed that the games have a hard time separating the game from reality. Each gamer controls a character in a game that operates like the most addictive soap opera. Each character looks and acts like a human being with all of our emotional intricacies in place. There appears to be no difference between the characters in the game and people in real life.

And there might not be.

The drama surrounds two of the gamers and their characters. When one gamer has relationship problems, he becomes jealous of the perfect relationship of his character. He decides to ruin it, not realizing the effect that it will have on the owner of his characters girlfriend. The dominoes fall, putting the two owners on a crash course toward one another.

The novel also has its mystery involving the true nature of the characters and the secrets of their ‘existence.’ I can’t say much without giving away the details. 

End Take: This is a solid debut novel from Cheryl Davies. She is able to lay out her futuristic world without getting muddled in unnecessary or overloaded details, but still paint a picture that easily translates to the reader. She does well in fleshing out her characters –one wonders if it is on purpose that the gaming characters are more likable than their human counterparts. Selfish human nature and the culture of voyeurism are strong themes that she presents without beating the reader over the head with the message.  

Four out of five stars

Sunday, January 20, 2013

The Next Big Thing Blog Hop

 

I was tagged by a fellow writer, Brad Anderson, to participate in The Next Big Thing Blog Hop. Brad is currently working on a science fiction space opera, the third book in a series called the Triumvirate Trilogy. The setting is near the tail end of a devastating war between the three major powers of this universe. Definitely  seems intriguing and I'll be checking it out.

Product Details

Here’s how the blog hop works. A writer/blogger gets tagged, they write an intro where they shout out & link back to their tagger, and then answer the 10 questions listed  below about current work in progress. At the end, they tag five other writer/bloggers.

10 Questions About My Current Work in Progress:

1. What is the title of your book?

I’m at the very start of The Troubleshooter: The Most Dangerous Dame. It is the second full length novel in a continuing series about a hardboiled private eye character in a dystopian future world.

2. Where did the idea come from for the book?

I've always liked the film noir style, with all of the jargon and colorful characters included. The idea rolled around in my head as I read novels like Walter Mosley's Easy Rawlins series and watched films like Dark City, The Matrix, and of course the biggest film influence: Blade Runner.

The idea was to take both of those unrelated genres and combine them. A blend of old and new, noir and sci-fi with a dystopian twist. So you get your slick hustlers, cool dames, fedoras and trench coats along with your flying cars, synthetic humanoids, and post-apocalyptic futures. The reader is taken along for a ride with Mick Trubble: a hard drinking, chain smoking, slick talking man whose job description is shooting trouble. In the installment that I'm working on, Mick is recovering from revelations from the last book, only to find himself engaged in a deadly game with a person who comes from his murky past. It's going to be a blast, and I can't to get deeper into it.

The Troubleshooter: New Haven Blues (Volume 1)
The debut novel

3. What genre does your book fall under?

It's hard to fit it to one particular genre, since it blends elements of noir, detective, sci-fi, dystopia and dieselpunk. But I like to call it 'dystopian noir' for short.

4. Which actors would you choose to play your characters in a movie rendition?

Michael Fassbender as Mick Trubble
Uma Thurman as Selene
Shahid Kapoor as Poddar
Ethan Hawke as Frankie Newman

Lance Reddick as Tommy Tsunami
Olivia Wilde as Ms. Kilby

5. What is the one-sentence synopsis of your book?

30's noir meets science fiction in this dystopian tale of a man whose job description is shooting trouble..

6. Will your book be self-published or represented by an agency?

Self-published

7. How long did it take you to write your first draft?

I'm just starting the first draft of Most Dangerous Dame, but New Haven Blues took me around three months for that very rough first draft. When you add in the time to almost completely re-write it, you're looking at about five months, give or take a week or so.

8. What other books would you compare yours to within your genre?

I haven't read the Harry Dresden novels yet, but from what I've read of the series, it has a similar 'urban noir' style, only those are of a supernatural angle. There's also the E.M. Faustus novels by Christoper Davison which I recently came upon, which is also a noir blended series. I'm sure there are more out there, but I haven't run across them yet.

9. Who or what inspired you to write this book?

The novel started off as just a writing exercise to try out stream of consciousness storytelling. I just took things I liked from similar themed movies and novels and ran with it. Once it was finished, I knew immediately that it had potential for a full-length novel. From there it all about shaping it and expanding the ideas and characters.

10. What else about the book might pique the reader’s interest?

It's a fast paced story laced with colorful characters, dry wit, and plenty of action. What I've liked from the readers is that it's been praised by readers of old school pulp and noir as well as readers of science fiction, detective, and adventure lovers. There's also a lot of humor that readers have enjoyed. Mick Trubble gets himself in some pretty ridiculous situations at times.

All Right, Who’s Next in the Next Big Thing Blog Hop?

Victoria Selene Skye Deme is a highly talented writer and friend. Known mainly for her volumes of captivatingly surreal poetic collections, but she has a groundbreaking prose project in the works as well. In fact, she so fantastic that a major character in The Troubleshooter is named and styled after her. How cool is that?

David W Moore is a friend and writing peer that I've come to know across various online sites. He has horror novel being circulated to publishing houses at the moment, as well as a sequel in the works. Definitely someone to keep an eye on.

Christopher Davison is the author of a hardboiled detective series not unlike my own, although his comes with a paranormal twist. If his interview answers are as wild as his writing then we should be in for a wild ride!

I recently met C.L. Davies, who writes in the genre of science fiction and dystopia. Her debut novel was Automaton, any eye-opening take on the gaming and online relationship culture. I look forward to hearing about her other projects, as well as what's forthcoming.

Tiyana White is a writer I came across while doing a reviewer search. Her upcoming project is called Element 7, a dieselpunk fantasy novel with a very intriguing premise. I personally can't wait to hear more about it.

Wednesday, January 2, 2013

Looking Back: Bard Constantine's Year In Publishing -2012

If I were the type to make resolutions, I'd resolve to make better use of this blog.

But since I know that's probably not going to happen, I'll share what I've learned this past year about my experience with indie publishing.

What I published:




That would be one short story, two novellas and a full length novel. Not too bad, all things considering. Makes me wonder what I can do if I actually applied some sort of writing schedule that included writing at least four days out of every week. I'll try to find out the answer this year...

 What I learned:


  1. Writing is easy. Editing is hard.

    I can't stress enough how tough editing is. That's why every article on writing strongly suggests that you never edit your own work. It's how the brain is hotwired. You read your manuscript the way it should be read, not actually how it is. So it's only natural to miss mistake after mistake, even after countless efforts. It's a frustrating experience, especially when you catch errors after you publish your work.

    The fix? Pony up and pay for a professional editor. There are many like Moody Edits who charge reasonable fees and do fine work. Of course, even at good rates -like 2 cents per word, it can get costly for a pro edit, especially for the starving writer trying to get their work out. In that case, you might look at bribing or blackmailing a literary minded friend into at least proofreading your manuscript for easily noticeable errors. Other tricks include switching formats for each edit so that your eyes aren't looking at the same thing over and over. If you did your last edit on the computer, save it to your tablet and go over it again. You'd be surprised how those errors stand out by switching formats.
  2. Commitment Is Key

    One of the problems that plagued me in my earlier writing attempts was that point in writing when I got bored. The solution? Start writing another story. The result? A lot of unfinished manuscripts.

    I had to learn to fight past those moments and stick to the story at hand. It takes discipline, but it's certainly not impossible. Like anything else, it's a developed habit. Once you commit to a story, you have to stick it out until it's finished. Anything else is just wasting your time. And the sooner you finish a novel, the sooner you can get to editing. That's when the real fun starts. See the above.

     
  3. You Think Editing Is Bad? Try Marketing.

    Just when you thought it was safe to publish your novel... nothing happens. After the small segment (and I do mean small) of family and friends are forced to buy your novel, it falls on you to market it to readers beyond your circle. Some writers strongly believe that the way to do this is to spam everyone they know with endless advertisements of their work. Then they promptly go to any and every possible online discussion board involving their genre and do the exact same thing.

    Don't be surprised if that doesn't get you many readers.

    No one likes to be bombarded by desperate, attention seeking, living advertisers. There are other ways to market your material that will be less annoying and might actually endear readers to you and your work. A lot of this is time consuming, and can be quite frustrating as you learn to negotiate the chaotic world of marketing and promotion. And for the penniless writer trying to establish their work, the task is even more daunting and harder to accomplish.

    But take heart. Pay attention to helpful articles that are provided online from sites like Bestseller Labs and online newsletters like The Constantine. Many bestselling authors like David Farland and Warren Adler give excellent insight and advice at their online pages and websites. Learn from those who have done it well. Stay up on technological tools and resources available to indie authors. I have much to learn about the best ways to market and promote, but I'm an eager learner. If one masters marketing, then the battle is 50% done. (The other 50 is actually writing a great novel, but you know that already, right?)
  4. Patience, young Padawan. Born in a day, is not a Jedi.

    Say the above in your best Yoda voice. One thing I've learned is that if you've jumped into indie writing for bestseller status and easy cash, then you're going to quickly learn what agonizing heartbreak is. It's really quite simple. According to most stats, the average indie writer sells around 150 copies per title. Yeah, you read that right. What separates the average from the few that sell in the thousands and dare I say it: millions of copies? (Better concentrate on the thousands. Or better yet, more than 150)

    Quite simple: write a book that doesn't suck and learn the best ways to market correctly. That's easier said than done, because the average indie published novel is subpar at best. Too many writers take the easy route and glut the market with shoddy material and low quality work. To stand out, one has to try to be at least as good as anything traditionally published. I say at least, because the goal for the successful indie writer actually should try to be better. Then put in the hard work. You did the crime. Now do the time. The odds are still against you, but I firmly believe that if an author builds a body of high quality, captivating work then eventually a readership will develop.

    I gave myself three years to build my brand and gain a solid enough readership to make my writing at least somewhat profitable. It may take longer than that, but the point is that I'm already geared for the long haul, not some dream of instant success. Anyone can be a writer. It takes a lot more to be an author, which is what I'm trying to be.

    There's so much more to the writing experience than I can get into in this one article. Who knows? Maybe I'll share some more. Especially since I have this blog that I never use. Maybe this year I'll actually use it.

    But no promises.

Something New

I chose my new desktop background today.

I know... to most people that's not a big deal. But for me it is, because I only do it once a year. I select one piece of art and apply it to every computer that I use. It becomes a subliminal theme for me, an subconscious reminder of what I hope to accomplish.

Deep, I know. Before we all drown together, let's take a look at last year's desktop:


I thought it was fitting because I had committed myself to independent publishing for my novels. I was sailing into uncharted waters, so to speak. The pirate ship was a good representation of my indie status, and the night scene was a good indicator of my stealth status, flying under the radar as I established my brand.

Plus it's a fine piece of art. I'm quite taken with George Grie's surreal work, so looked to him again to provide the inspiration for this year. Take a look:


I really like this piece because to me it represents the struggle to maintain balance as a creative being. Reality and everyday life can be confining at times because the creative forces struggle to release, and like a uncontrolled inferno can actually consume if not controlled. At the same time, one should indulge their creative side or suffer the draining effects of unfulfilled passion and the stifling effects of imprisonment, shackled by the doldrums of everyday happenstance.

The ship must set sail, but at the same time must be guided by the sure hand of a captain who knows what's out there.

Yes, I know I'm crazy for putting all of this thought into my annual desktop change, but I thought I'd share the process this time. I figure I have a blog for some reason...

Thursday, December 27, 2012

Year End eBook Giveaway: The Troubleshooter

From now until the year's end, I'm offering the ebook The Troubleshooter: Red-Eyed Killer free on Smashwords. Get it for your Kindle, Nook, iPad, or e-reader.

For the best price of all: free.                    



Synopsis: In the prequel to New Haven Blues, Mick Trubble is a partial amnesiac who barters favors in order to survive. His deals place him at The Luzzatti, an apartment complex where he works for the owner and eventually befriends the family. In short time his search for answers is distracted by taking cases and by his conflicted feelings for Natasha, Mr. Luzzatti's daughter.

But Mick's peace is short-lived, because Mr. Luzzatti is caught in a business deal gone sour, resulting in murderous loan sharks looking to rub him out along with his family. Mick has to quickly gather his wits and resources in able to protect the Luzzattis before they become the next victims of New Haven's most notorious hitman: the Red-Eyed Killer.

More info available at the official website.